ms219209 wrote:Excellent topic... For me, the best drum recordings are on "Riot Act." They continue to blow me away; very pure and organic sounding, very close and intimate, not overdriven. There's still power and energy, but also lots of subtle texture and precision that truly demonstrate what a wonderful drummer Matt Cameron is. Instead of taking their usual seat in the back of the room, the drums on this record find a place in the audible foreground, striking a beautiful balance. Dynamic, clean, and refreshing, the drum recordings on Riot Act are to my ears like cold water on a hot day to my mouth.
ms219209 wrote:Excellent topic... For me, the best drum recordings are on "Riot Act." They continue to blow me away; very pure and organic sounding, very close and intimate, not overdriven. There's still power and energy, but also lots of subtle texture and precision that truly demonstrate what a wonderful drummer Matt Cameron is. Instead of taking their usual seat in the back of the room, the drums on this record find a place in the audible foreground, striking a beautiful balance. Dynamic, clean, and refreshing, the drum recordings on Riot Act are to my ears like cold water on a hot day to my mouth.
MichaelMcKevin wrote:Definitely have to agree. I personally love the drums on Binaural... Insignificance especially.
Matt uses Yamaha Birch Custom drums, which are said to be the most recorded drums in the business. Birch shells have excellent recording qualities, and Yamaha has a reputation for making the best shells out there. Add that to some great studio engineering, and the results can be heard on any PJ album Matt has played on.
12345AGNST1 wrote:I also love the subtleties on riot act. 1/2 full has some amazing drumming that you really gotta listen for.
NickGMusic wrote:12345AGNST1 wrote:I also love the subtleties on riot act. 1/2 full has some amazing drumming that you really gotta listen for.
I think every PJ record has great drumming that is unique and fits so well with the style of the song, like on Yield, I can't imagine another drummer playing on that record besides Jack Irons, what he does just fits amazingly well, but the same goes for any record Matt has played on, and especially Dave
NickGMusic wrote:Anybody agree with me that the drum sound that you hear on most modern rock recordings of today suck? It sounds like fake ass in a cold room.
NickGMusic wrote:12345AGNST1 wrote:I also love the subtleties on riot act. 1/2 full has some amazing drumming that you really gotta listen for.
I think every PJ record has great drumming that is unique and fits so well with the style of the song, like on Yield, I can't imagine another drummer playing on that record besides Jack Irons, what he does just fits amazingly well, but the same goes for any record Matt has played on, and especially Dave
NickGMusic wrote:I think it's crazy how the sound of drums on records change DRASTICALLY from like 1989 to 1990, it's like you listen to G n' R, and then Nirvana on Nevermind and it's crazy how much of a difference there is, with the guitars and everything else as well. Nirvana, PJ, Soundgarden, and many others just came out with this completely raw sound that was just so nasty it was good, and completely changed the way music sounds today,...in my opinion lol. Any comments?
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